000			03495nam a2200385 i 4500
001			OTLid0001109
003			MnU
005			20241120064026.0
006			m o d s
007			cr
008			211119s2021 mnu o 0 0 eng d
020			_a9781800641969
040			_aMnU _beng _cMnU
050		4	_aN85
245	0	0	_aDocumentary Making for Digital Humanists _cDarren Reid
264		2	_aMinneapolis, MN _bOpen Textbook Library
264		1	_a[Place of publication not identified] _bOpen Book Publishers _c2021.
264		4	_c©2021.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aOpen textbook library.
505	0		_a1. The Humanist Auteur -- 2. Learning to Love the Camera -- 3. The Production Process -- 4. Concept and Planning -- 5. Collaboration -- 6. Precedent -- 7. Choosing Your Filmmaking Equipment -- 8. Core Methods -- 9. Settings, Lenses, Focus, and Exposure -- 10. Composing a Shot — Tips and Techniques -- 11. Shots and Compositions Considered -- 12. The Visual Language of Cinema -- 13. Interviews -- 14. Recording Audio and Creating Soundscapes -- 15. Light -- 16. Camera Movement -- 17. The Two-Page Film School -- 18. Post-Mortem: Making a Short Documentary about the 2016 Presidential Election -- 19. Post-Production Workflow -- 20. The Three-Act Structure -- 21. The Protagonist -- 22. Assembly -- 23. Editing Workflow in Adobe Premiere Pro -- 24. Distribution and Dissemination
520	0		_aThis fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects. Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process. This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
542	1		_fAttribution-NonCommercial
546			_aIn English.
588	0		_aDescription based on print resource
650		0	_aHumanities _vTextbooks
650		0	_aArts _vTextbooks
700	1		_aReid, Darren R. _eauthor
700	1		_aSanders, Brett _eauthor
710	2		_aOpen Textbook Library _edistributor
856	4	0	_uhttps://open.umn.edu/opentextbooks/textbooks/1109 _zAccess online version
999			_c39292 _d39292